在一户传统韵味极浓的人家，房屋四周摆满了各式各样的鸟笼子。身着旗袍的妙龄女子演奏哀婉的曲调，而白白胖胖的公子哥则斜躺在椅子上享受舒适的时光。就在此时，一声巨响，惊醒了胖子的白日清梦。墙上他当年的画像落地，似乎勾起了胖子对往日的回忆。他翻箱倒柜找出珍藏在箱子里的辫子，起身外出，找到了早已熟识的理发师。他们彼此心照不宣，一个眼神，一个动作，便明了对方的心思，默默落座。 　　辫子辫子，曾是大清老爷们儿的命根子，是他们剪不断理还乱的故国残梦。步入泛舟出海，追寻旧日痕迹……

In India, Smita is an untouchable. She dreams of giving her young daughter an education and will go to any length to make that happen, including leaving behind all she knows in search of a better future. 　　In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. When her father is the victim of a serious accident, she discovers that her family’s livelihood is at stake. 　　In Canada, Sarah is a twice-divorced mother of three children and a successful lawyer whose identity is wrapped up in her work. Just as she expects the promotion she’s been working her entire career for, she learns she has breast cancer. 　　The Braid is a vibrant and singular reminder of what connects us all – across borders, across languages, across cultures.

In India, Smita is an untouchable. She dreams of giving her young daughter an education and will go to any length to make that happen, including leaving behind all she knows in search of a better future. 　　In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. When her father is the victim of a serious accident, she discovers that her family’s livelihood is at stake. 　　In Canada, Sarah is a twice-divorced mother of three children and a successful lawyer whose identity is wrapped up in her work. Just as she expects the promotion she’s been working her entire career for, she learns she has breast cancer. 　　The Braid is a vibrant and singular reminder of what connects us all – across borders, across languages, across cultures.

山西省右玉县下窑村 　　7岁缠足的白大女和刘部汉,俩人都因爱人去世,于四十年多前带着各自三个孩子结合在 　　一起.(白大女2男1女)(刘部汉3个女儿)如今,孩子们都已当上了爷爷奶奶,且大都不在白大 　　女和刘部汉的身边.争对抚养俩位老人的晚年生活,双方的孩子也都各有分歧… 　　所以尽管俩人都已八十多岁,还是需要早起晚归出田耕种,而白大女老太太更是因为自己 　　的一双小脚,不得不拄着双拐蹒跚在风雨中,跪劳在田地间…期间,多位缠足老太太面对镜头, 　　倾诉着自己的小脚… 　　《小脚人家》导演阐述: 　　看着一双双蹒跚的脚步迈向生命尽头 　　A pair of feet shuffling toward the end of life; 　　缠足之痛也随着她们的离去日渐消逝 　　The pain in their bound feet dissipates with their passing. 　　她们 以双足残入历史 　　Their feet make them a part of history. 　　我们 用影像记录足迹 　　We have recorded their footsteps in film.

山西省右玉县下窑村 　　7岁缠足的白大女和刘部汉,俩人都因爱人去世,于四十年多前带着各自三个孩子结合在 　　一起.(白大女2男1女)(刘部汉3个女儿)如今,孩子们都已当上了爷爷奶奶,且大都不在白大 　　女和刘部汉的身边.争对抚养俩位老人的晚年生活,双方的孩子也都各有分歧… 　　所以尽管俩人都已八十多岁,还是需要早起晚归出田耕种,而白大女老太太更是因为自己 　　的一双小脚,不得不拄着双拐蹒跚在风雨中,跪劳在田地间…期间,多位缠足老太太面对镜头, 　　倾诉着自己的小脚… 　　《小脚人家》导演阐述: 　　看着一双双蹒跚的脚步迈向生命尽头 　　A pair of feet shuffling toward the end of life; 　　缠足之痛也随着她们的离去日渐消逝 　　The pain in their bound feet dissipates with their passing. 　　她们 以双足残入历史 　　Their feet make them a part of history. 　　我们 用影像记录足迹 　　We have recorded their footsteps in film.

八国联军侵华，慈禧携带奇珍宝物移驾热河，惜沿途遇劫，有山匪藏宝于火焰山，数十年来无人知宝物下落。民初有山民沙老爹，偶入匪洞，掘宝而献之于县政府，不料被巨盗王四屠及刘一彪得悉，杀害专员，并伪装官员而晤沙老爹，王、刘欲一举而获之。沙老爹有女，美健刁蛮，浑称虎辫子，自老爹率众入山，乃独守酒店当炉伺客。某日，有结拜兄弟联袂来店，虎辫子发现其中有使烟佩刀者，此全是沙老爹之物，诧异而询问众人，众人秘而不吐...

八国联军侵华，慈禧携带奇珍宝物移驾热河，惜沿途遇劫，有山匪藏宝于火焰山，数十年来无人知宝物下落。民初有山民沙老爹，偶入匪洞，掘宝而献之于县政府，不料被巨盗王四屠及刘一彪得悉，杀害专员，并伪装官员而晤沙老爹，王、刘欲一举而获之。沙老爹有女，美健刁蛮，浑称虎辫子，自老爹率众入山，乃独守酒店当炉伺客。某日，有结拜兄弟联袂来店，虎辫子发现其中有使烟佩刀者，此全是沙老爹之物，诧异而询问众人，众人秘而不吐...

男子穿越洪荒，妄图夺舍即将化形的通天教主，却遭大道阻击，仅余灵魂碎片。他吞噬碎片后，读取到穿越者记忆，知晓封神量劫等事，周身杀气弥漫。此时，旁边两道青气化形，乃太清老子与玉清元始。他收敛情绪，提议合力感悟盘古传承，三清就此开启守护洪荒之路

纪录片《风物》聚焦中国境内独具特色的风物特产，展示丰富多彩的地域文化和悠久的中华美食文化。

纪录片《风物》聚焦中国境内独具特色的风物特产，展示丰富多彩的地域文化和悠久的中华美食文化。