In India, Smita is an untouchable. She dreams of giving her young daughter an education and will go to any length to make that happen, including leaving behind all she knows in search of a better future. 　　In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. When her father is the victim of a serious accident, she discovers that her family’s livelihood is at stake. 　　In Canada, Sarah is a twice-divorced mother of three children and a successful lawyer whose identity is wrapped up in her work. Just as she expects the promotion she’s been working her entire career for, she learns she has breast cancer. 　　The Braid is a vibrant and singular reminder of what connects us all – across borders, across languages, across cultures.

In India, Smita is an untouchable. She dreams of giving her young daughter an education and will go to any length to make that happen, including leaving behind all she knows in search of a better future. 　　In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. When her father is the victim of a serious accident, she discovers that her family’s livelihood is at stake. 　　In Canada, Sarah is a twice-divorced mother of three children and a successful lawyer whose identity is wrapped up in her work. Just as she expects the promotion she’s been working her entire career for, she learns she has breast cancer. 　　The Braid is a vibrant and singular reminder of what connects us all – across borders, across languages, across cultures.

山西省右玉县下窑村 　　7岁缠足的白大女和刘部汉,俩人都因爱人去世,于四十年多前带着各自三个孩子结合在 　　一起.(白大女2男1女)(刘部汉3个女儿)如今,孩子们都已当上了爷爷奶奶,且大都不在白大 　　女和刘部汉的身边.争对抚养俩位老人的晚年生活,双方的孩子也都各有分歧… 　　所以尽管俩人都已八十多岁,还是需要早起晚归出田耕种,而白大女老太太更是因为自己 　　的一双小脚,不得不拄着双拐蹒跚在风雨中,跪劳在田地间…期间,多位缠足老太太面对镜头, 　　倾诉着自己的小脚… 　　《小脚人家》导演阐述: 　　看着一双双蹒跚的脚步迈向生命尽头 　　A pair of feet shuffling toward the end of life; 　　缠足之痛也随着她们的离去日渐消逝 　　The pain in their bound feet dissipates with their passing. 　　她们 以双足残入历史 　　Their feet make them a part of history. 　　我们 用影像记录足迹 　　We have recorded their footsteps in film.

八国联军侵华，慈禧携带奇珍宝物移驾热河，惜沿途遇劫，有山匪藏宝于火焰山，数十年来无人知宝物下落。民初有山民沙老爹，偶入匪洞，掘宝而献之于县政府，不料被巨盗王四屠及刘一彪得悉，杀害专员，并伪装官员而晤沙老爹，王、刘欲一举而获之。沙老爹有女，美健刁蛮，浑称虎辫子，自老爹率众入山，乃独守酒店当炉伺客。某日，有结拜兄弟联袂来店，虎辫子发现其中有使烟佩刀者，此全是沙老爹之物，诧异而询问众人，众人秘而不吐...

纪录片《风物》聚焦中国境内独具特色的风物特产，展示丰富多彩的地域文化和悠久的中华美食文化。

纪录片《风物》聚焦中国境内独具特色的风物特产，展示丰富多彩的地域文化和悠久的中华美食文化。

男子穿越洪荒，妄图夺舍即将化形的通天教主，却遭大道阻击，仅余灵魂碎片。他吞噬碎片后，读取到穿越者记忆，知晓封神量劫等事，周身杀气弥漫。此时，旁边两道青气化形，乃太清老子与玉清元始。他收敛情绪，提议合力感悟盘古传承，三清就此开启守护洪荒之路

来自约翰内斯堡金山大学的荣恩，在南非的斯泰克方丹山洞发现了一副术语阿法南方古猿的化石——小脚丫。小脚丫的面世足足花了二十年，她以一种至今成谜的方式掉落到一个不见天日的山洞中。而荣恩在那个昏暗、潮湿、空气中弥漫这发霉腐烂气味的山洞中，东找西挖，爬上爬下，由于角烁岩犹如混凝土般坚硬，但化石又尤其脆弱，因此他们这二十年来只能够用小工具一点点把岩石凿开，用小刷子把小脚丫的骨架一点点清理出来，难度显而易见。小脚丫历经近400万年，终于以自己的方式走进了现代文明。

故事发生在恐龙时代，一场大地震突然袭击了本来平和的土地，雷龙小脚板（加布里埃尔·达蒙 Gabriel Damon 配音）因为这场大地震不幸和家人失散了。通过苦苦的追寻，小脚板终于得知，自己要前往远在万里的恐龙乐园大林，只有在那里，他才能够和他的家人们团聚。就这样，年幼的小脚板踏上了旅途。 　　一路上，小脚板结识了很多和他经历一样的小恐龙们，目的地相同的他们结为了旅伴，互相鼓励帮衬着前进。在这场盛大的冒险途中，小脚板迅速的成长，学会了各种自我保护的生存技能，同时也体会到了友情的珍贵。

庖⾹楼楼主庖伯庆祝⼤寿，展示烹饪⽜⻥技艺。姜家代表姜丰姜年送来貔貅，庖伯欲将其做成菜肴。庖伯⼥⼉若离与庖丁争执，被罚⼩⿊屋。若离偷貔貅时发现执，⼆⼈争⽃中貔貅逃⾛。庖伯命令寻找貔貅，少启提议⽤财物引诱。若离和执⽤财物吸引貔貅，却因执的⾎铜板使貔貅变⼤凶残。恶战中执昏迷，饕餮之魂苏醒，吃掉貔貅，庖伯⻅状⼤喜。